Tiffany Noyama's design phylosophy is not merely a celebration of confidence but an invitation to women who dream, encouraging them to believe in themselves and have the confidence to live their passions.

Tiffany's inspiration comes from her early years where she was immersed in the world of art and paintings.   Her mother, a painter, loved sketches, oil paintings, and watercolors and making classy timeless clothes for Tiffany and her sisters ....

and it is this simple, classy timeless style that are the three elements forming the core aesthetics of her brand.

The brand Lotte van Stijn is all about showcasing a new kind of power dressing: garments to take up space in a masculine world and to make you feel powerful. It displays femininity and feminine dressing as something powerful and equal to masculinity. 

By mixing voluminous dresses, elements of sportswear and power suits, Lotte’s own version of power dressing was created. 

The garments are not only made to physically take up space with the pieces, but also visually by using very striking colours and handmade prints. 

Being an athlete herself, movement and comfort are as equally important to the designer as aesthetics and voluminous silhouettes. It doesn’t matter how big the silhouettes are, you will always be able to run in and feel comfortable in them.

From designing to making the prints and patterns to sewing all the pieces, every garment is crafted completely by Lotte van Stijn in her atelier in Amsterdam. The personal touch of Lotte is visible in every detail of the product. Sustainability and responsibility are very much implemented in the whole brand. Lotte works with a made-to-order model on her website, ensuring resources are not wasted. She uses deadstock fabrics or sustainably printed fabrics, printed on demand. During the design process, she works with digital patterning and 3D digital toiles to reduce the waste as much as possible. 

The collection boasts the finest quality denim sourced from Italy, including Candiani denim made with 40% sustainable cotton and premium 100% genuine Ralph Lauren mid-weight denim. Featuring a stylish gold embroidered motif, bespoke printed gold leather labels and with gold stitching above the crotch, these jeans epitomise luxury and exclusivity.

Salon Verve offers a unique luxury fitting experience, allowing customers to choose between home fittings or visit Alterations & Bespoke Specialists in Pimlico for precise measurements, ensuring a personalised and perfect fit. Customers can also customise their denim jeans to their preferences, selecting from various waist styles and hem options or adding personal touches to match their individual style requirements.

All Salon Verve products are meticulously handmade by skilled craftsmen in their London workshop, utilising only the finest quality sustainable and recyclable materials available. Emphasising its commitment to excellence, products are exclusively crafted using 100% genuine Napa leather, ensuring unparalleled quality and durability. Additionally, the entire product range is imprinted using eco-friendly printing dyes and techniques, reflecting the brand's dedication to environmental consciousness.

The brand also believes in helping those less fortunate and donates 10% of all purchases to Great Ormond Street Hospital for Children and Battersea Dogs & Cats Home.

Designer Natasha Nikolovska said:
"Our commitment to using natural, enduring fibers is a testament to our belief in fashion that endures, echoing our dedication to producing fewer, yet exceptional, pieces.  We believe in sharing the full story of our garments: from the concept and inspiration of our designs, to the origin of our raw materials and the handmade creation of our pieces.

Natasha Nikolovska (abbreviated as Nia) is an Australian fashion designer with more than 20 years' experience in creating luxury
fashion designs.  Inspiration for her luxe statement swimwear and après swim apparel is derived from the rich tapestry of her cultural heritage, the contemporary Australian lifestyle, her captivating far-off travels, and her appreciation of art, craftsmanship and the beauty of nature.

Following a compelling career designing premium swimwear and resort wear, a period of self-reflection in 2020 led Natasha to rediscover her love of creative expression and to experience a profound longing to reconnect with her cultural heritage and our beautiful surroundings.  From this reconnection came Nina Après Swim, a brand rich in passion that creates pieces of handcrafted quality, perpetual design and luxe appeal.

"My desire to go back to who I truly am and all the things that interest/inspire me and what I stand for.. is the driving force behind Nina Après swim." 

Sphinx is a testament to Shweta’s resilience and dedication to her craft.  The House of Sphinx isn't just a fashion brand – it's a movement towards originality, sustainability, and empowering individuals to make a positive impact.

Shweta 's goal for The House of Sphinx, is to stand for something more than "pretty" dress.    For Shweta, it's about making a positive impact and influencing others, much like its nemesis, Sphinx.

Influenced by her mother's love for textiles and a childhood that exposed her to different cultures,  she retells histories and cultures in a new narration. 

Sphinx is an antidote to everything basic; it's about making powerful statements and embracing individuality. The House of Sphinx focuses on quality, using high-sewing methods and adopting a slow sewing approach.

Brand Story

At Amanda Garrett, we believe that fashion is an expression of identity and personality. We create Couture Gowns that allow our customers to showcase their unique style and feel confident in their own skin. We believe that everyone deserves to feel beautiful and empowered, and we strive to make that a reality through our designs.

Design Process

Our design process is a mix of creativity, research, and experimentation. We draw inspiration from a variety of sources, including art, music, and culture. We use this inspiration to craft Couture Gowns that are both innovative and timeless. We believe that fashion should be both functional and aesthetically pleasing, and we strive to achieve that balance.

Commitment

Amanda Garrett helps women feel like royalty in her perfectly crafted couture gowns, allowing them to look and feel beautiful and confident on the day of their special events. From her private studio, Amanda and her exceptional team provides a luxury experience for women who know exactly what they want and are ready to have the Amanda Garrett brand bring their vision to life. Amanda Garrett is an Award-Winning international couture designer based in Mississauga.

A Lost Opera Reimagined

The rediscovery of La Bella d’Alghero—a melodramma first staged in 1892 and long thought lost—served as the catalyst for Marras' creative exploration. Set in Alghero, a city with deep Catalan ties, the opera tells a tempestuous love story laced with betrayal, desire, and tragic fate. With a narrative that feels both timeless and cinematic, it is no surprise that Marras found in it a perfect muse.

Much like the opera’s protagonist Efisio, caught between duty and love, Marras’ collection embodies duality. Masculine pinstripes contrast with delicate tulle, structured tailoring softens into flowing layers, and deep, brooding hues are punctuated by flashes of theatrical red—reminiscent of stage curtains drawing back to reveal the drama within.

A Wardrobe of Emotion

Textures take center stage in Marras’ interpretation, with brocades, damasks, and Ottoman jacquards evoking the opulence of the 19th-century stage, while stretch denim, velour, and knitwear ground the collection firmly in the present. Embroidered roses, dramatic pleating, and intricate appliqués lend an air of performance to each piece, transforming garments into characters of their own.

In his signature style, Marras infuses the collection with hand-drawn sketches, painterly brushstrokes, and poetic embellishments. Clothes are not just worn—they tell a story, whispering of lost love, whispered promises, and the weight of history. From body-hugging silhouettes to voluminous, layered compositions, each piece is crafted to command attention, much like an opera diva stepping into the spotlight.

A Dialogue Between Past and Present

This season, Marras does more than present a collection; he revives a forgotten piece of cultural history, bridging the past with the present. Just as a Catalan theatre company is set to bring La Bella d’Alghero back to the stage in 2025, Marras breathes new life into its legacy through fabric and form.

As he puts it, ‘I am passionate about giving a voice to seemingly mute things so that they become garments that speak.’   And speak they do—of romance, of loss, of artistry, and of a Sardinian soul intertwined with the grandeur of the operatic stage. With this collection, Marras reminds us that fashion, like theatre, is an immersive experience—one that lingers in the mind long after the final bow.

Every Hector Maclean collection is based on an iconic British woman and for this season, Susan Bellasyse, a woman who was described at the time as a “lady of life and vivacity”,  becomes a vehicle for the designer to highlight the “life and vivacity” on this “beautiful island we call home”, Hector says. Here, union jacks – upcycled from found flags and bedsheets – are bleached, shredded and draped in the classic Hector style or painted in timely neon pink and green hues across garments that splice punk aesthetics with regal silhouettes. Black lace gowns pay nod to the famed style of Queen Victoria while elsewhere the revenge dress and pearl necklace of the ultimate royal rebel are paid homage.

Other iconic women also get a call out too, from Twiggy minidresses to references to Hector’s own grandma, who attended the last debutante ball prior to the Second World War, yet was so bored by the fanfare that she spent the night sitting in the toilets reading her book. The statement moment of the collection comes in a train fashioned from hundreds of paper remembrance day poppies, donated by the Royal British Legion, a satirical, demi-couture view of who has access to Britishness. This is Hector’s British utopia, taking the aesthetic beauty of all aspects of the UK’s diverse cultures and bringing it together in one love letter to his home: celebrating the idea that we are all royalty. 

JANE:  What was your favorite movie as a child?
KG:  My favorite childhood movie was 101 Dalmatians (1996).

JANE:  If you didn’t become a fashion designer, what do you think you would be doing now?
KG:  I always dreamed of becoming an actress, but in the end, I realized I’d love to dress them behind the stage instead!

JANE:  What gives you the most headaches in your fashion business?
KG:  Seasonality: Managing seasonality is challenging. Predicting trends and demand can be tricky, and one misstep can lead to overstocking or missed sales. Staying relevant each season requires constant adjustments. Sustainability: Upholding sustainable practices is another hurdle. While I’m committed to eco-friendly methods, sustainable materials often come with longer lead times and limited availability, making production more complex.

JANE:  Since starting your business, is there anything you wish you knew more about?
KG:  Branding takes much longer than I initially expected. I wish I had devoted more time upfront to thoroughly researching my brand values and understanding how to express them effectively to my audience. That said, I believe it’s never too late to refine and grow!

JANE:  What is the biggest hurdle to reaching the success you want?
KG:  Scaling production while maintaining high quality and accessible pricing for a broader audience is the biggest challenge. As demand grows, balancing affordability with exceptional standards requires strategic planning and cost management.

JANE:  Describe your daily routine.
KG:  My day starts with a cup of coffee and some great music to set the mood. If I have extra time, I dive into an inspirational podcast or search for creative ideas online. Then, I review my to-do list and plan my day—whether it’s meetings, workshops, or designing new pieces. When working on a collection, I focus on garment research, sketching, or visiting manufacturers. Each day is a blend of creativity, planning, and collaboration with my team.

JANE:  Describe your most exciting day.
KG:  The day of a collection presentation is always the most thrilling! It involves final fittings with models, ensuring makeup and hairstyles align with the mood boards, and checking every detail. I also make sure the team and models are happy and comfortable.

After the show, we celebrate with photos, team bonding, and reflecting on the hard work that went into the collection.

JANE:  Describe what your worst day would look like.
KG:  My worst day would be if something went wrong with a collection at the last minute, preventing it from being presented.

Knowing how much planning and effort goes into each piece, it’s a heartbreaking thought.

JANE: What are your thoughts on the future of fashion for independent designers?

KG:  Staying unique while keeping a brand alive and visible is becoming increasingly difficult. In the future, I imagine more creatives collaborating to build a single, impactful brand rather than spreading resources thin across many small ones.

JANE:  If you could encapsulate the essence of your label in a time capsule for future generations, what elements or pieces would you include, and what message would you want to convey about your brand?
KG:  I’d include swatches of our high quality, long-lasting fabrics, a sample garment showcasing our craftsmanship, and digital blueprints highlighting our technology-driven efforts to minimize waste. The message I’d convey is that fashion must prioritize quality over quantity. We need to shift towards intentional, sustainable production to support a healthier planet.

JANE:  What are you most proud of achieving since starting your brand?
KG:  I’m incredibly proud of being part of London Fashion Week SS25 and having the chance to represent Lithuania on such a prestigious platform.

JANE:  What was your favourite movie as a child?

NEBOJSA:  I don't really have a favourite. But if I could, I think I'd pick something with layers like the classic 101 Dalmatian's, It is such a fun story and the unforgettable Cruella de Vil. Love her she is one of those unforgettable Villans.

JANE:  If you didn’t become a fashion designer what do you think you would be doing now?

NEBOJSA:  If I weren't a fashion designer, switching careers would be fun to imagine! I think I’d pivot to something like storytelling—maybe a screenwriter or a film director. There’s a lot of creativity and visual thinking in both, and it would still be about creating an experience.

JANE:  What gives you the most headaches in your fashion business?

NEBOJSA:  One of the biggest headaches in the fashion business industry is managing fast-changing trends while balancing costs and sustainability. Trends move quickly, and brands need to constantly innovate to keep up, which adds pressure to design, production, and logistics teams.  Additionally, there’s a growing demand for sustainable practices, so brands are increasingly focused on sourcing eco-friendly materials and ethical labor practices, which can be complex and costly. Managing all these moving parts while keeping prices competitive can be a real balancing act.

JANE:  Since starting your business is there anything that you wish you knew more about?

NEBOJSA:  Since running the business, I definitely think for deeper insights into the financial side of scaling and how to navigate growth without overextending resources. Building a resilient supply chain, especially with how unpredictable the global market can be.  Having a strong grasp on these elements from the start would likely save time, money, and some stress down the road.

JANE:  What is the biggest hurdle to reaching the success you want?

NEBOJSA:  The biggest hurdle in reaching success is often building and maintaining consistent customer demand. Even with a great product or service, generating ongoing interest and loyalty is challenging, especially in competitive markets.

JANE:  Describe your daily routine?

NEBOJSA:  Breaks:  My break would be 1.30.   l enjoy this time with my first meal of the day and catching up over my social media.

End of Day: I wrap up my workday by reviewing tasks that are all completed and planning for the next day.

JANE:  Describe your most exciting day?

NEBOJSA:  My most exciting day was our first campaign photoshoot back in 2016. The weeks leading up to it were a whirlwind of preparation—coordinating with the studio, finalising models, and ensuring the team understood the concept and mood boards. I was a mix of nervous and thrilled as the day approached.

JANE:  Describe what your worst day would look like?

NEBOJSA:  Worst days are in the mindset, you have to change the way you think. I don't like to stay in a bad mood for long, I mean why would you want to age before your time. Life is short and already so serious. Be happy and believe everything happens for a reason.

JANE:  What are your thoughts on the future of fashion for independent designers?

NEBOJSA:  The future of fashion seems bright for independent designers, especially as people seek out unique, sustainable, and ethically made pieces. With social media and e-commerce making it easier for independent designers to showcase their work directly to customers, it’s more possible than ever to build a brand with a strong, authentic voice.

JANE:  If you could encapsulate the essence of your label in a time capsule for future generations, what elements or pieces would you include, and what message would you want to convey about your brand?

NEBOJSA:  The message I would want to convey is its all about Fearless femmine energy and highlighting the importance of individuality in fashion and the power of jewellery to express personal identity.  I would include season 1 and season 16 so Nebojsa's first ever collection to most current.  Ultimately, the essence of Nebojsa would celebrate diversity, innovation, and the idea that fashion can be both beautiful and bold.

JANE:  What are you most proud of achieving since starting your brand?

NEBOJSA:  I was over the moon when I discovered that my recent fashion show was featured in Elle France, a top publication known for highlighting emerging designers. The article beautifully captured the essence of the collection, which focused on the themes of individuality and self-expression.  Since the feature, I’ve noticed a significant uptick in engagement on our social media platforms, It’s exciting to see our hard work recognised, and it has motivated me to continue pushing creative boundaries.

JANE:  What was your favourite movie as a child?

AH:  This is such a hard question, because I watched the same movies over and over again as a child and loved them all. Anything from High School Musical to Crocodile Dundee to The Sound of Music.

JANE:  If you didn’t become a fashion designer what do you think you would be doing now?

AH:  I have never really had a plan B. All I know is I care for people and I love creating things. So anything that would allow me to do those things. I have actually just started a course in development, which I really love, so this is something I would digg deeper into despite my being a designer.

JANE:  What gives you the most headaches in your fashion business?

AH:  Having a clear vision in my head, and other people not understanding it.

JANE:  Since starting your business, is there anything that you wish you knew more about?

AH:  It's all a journey. I love figuring out new things about this career and finding ways to grow and resolve issues. Being an independent owner means doing everything on your own. Being your own marketing agent, sewer, constructor, creative developer, portfolio editor etc. Some things I don’t enjoy as much as others. But all in all it's part of the process.

JANE:  What is the biggest hurdle to reaching the success you want?

AH:  Finances. Without doubt.

JANE:  Describe your daily routine?

AH:  I am currently adapting to a new routine because I am now done with fashion school and I just started a course in development. I go to school a couple of hours everyday. Before I go to school I try to organise my schedule, answer emails, and plan projects or social media posts. Some days I go to work as a costume repairer/designer. I also try to work out or go for a walk as often as possible.
To be honest my days are never the same. A lot of exciting things have been going on this fall, and will hopefully continue.

JANE:  Describe your most exciting day?

AH:  The most exiting days of my life so far career wise, have been the days I have seen my creations come to life. Either through a photoshoot or runway show. Nothing beats that feeling, considering all of the nerves and anticipation in advance.

JANE:  Describe what your worst day would look like?

AH:  Career wise, I have had a lot of bad days. Those are usually the days that lead to the most growth because you are forced to reflect upon why you do what you do, and if it is worth it. That would mean days where I have no creative ideas, nothing is working, I am stressed because of a deadline and feel like a failure. When you are under pressure, and you can’t do anything creatively it can really take a toll on your mental health and lead to extreme exhaustion.

JANE:  What are your thoughts on the future of fashion for independent designers?

AH:  I think the future is bright for independent designers. People are starting to recognise how unique and cool it is to discover unknown brands.

JANE:  If you could encapsulate the essence of your label in a time capsule for future generations, what elements or pieces would you include, and what message would you want to convey about your brand?
AH:  Any of the jackets I have made. The amount of time and thought behind those pieces is crazy. They are also styling friendly, which I think is timeless (should be at least). Each jacket also tells a story.

If there is any message I would want to convey about my brand it would be: Don’t be afraid to tell a story through a clothing piece and create things with multiple purposes.

JANE:  What are you most proud of achieving since starting your brand?

AH:  The relationships and contacts I have built. Staying true to myself and my aesthetic, while also doing my best to learn from my superiors. Learning about myself and what actually drives me, and working towards doing that even more. I have also made amazing memories and stepped out of my comfort zone a lot.

JANE:  What was your favourite movie as a child?

GK:  What first come into my head are Disney and Harry Potter.
However, my memory is not the best which I’m sure other movie I love will pop up into my head later will make me think “oh no I really loved this movie and I forgot to say for that interview”

JANE:  If you didn’t become a fashion designer what do you think you would be doing now?

GK:  Could be boring sound but pattern cutter, or art teacher.  As there are many designs involved in my creative process I became a designer now but there was a time I was debating whether to be a pattern cutter or designer ( in Korea you would choose one of them as a job ), and I found myself enjoying making pattern for my own design creation than working on someone else’s design, so I chose to be a designer. But I couldn’t give up on patterns as I love them as much as design, so I make the patterns for my design still and I am a pattern cutter too. In this case, having my own small brand works/allows perfectly to do what I love.

Before I studied abroad in UK I was working as an art teacher teaching kid’s art. I really liked it and I would’ve continued if I hadn’t gone abroad/ become a designer. It was the sweetest work memories with the world’s purest people. Kids + art = the sweetest, the most creative world.

JANE:  What gives you the most headaches in your fashion business?

GK:  The biggest issue is the finance,
And trying to find right-minded/right-skilled people to make a team,
And dealing with multiple tasks while making clothes and try to keep creativity at the same time.
These three are the consistent headache/ issues I haven’t resolved and that I know it won’t be resolved any soon.

JANE:  Since starting your business is there anything that you wish you knew more about?

GK:  I often think I wish I knew more people in this fashion world. I never really mingled in college, at work or outside and don’t really have industry connection.

JANE:  What is the biggest hurdle to reaching the success you want?

GK:  inance to afford workers, materials and services.

JANE:  Describe your daily routine?

GK:  Wakeup> check emails > go studio > design or experiment > go to material shops > make garments pattern/cut/drape/sew > pack garments for shoots or orders > check email and dms and reply > sleep. . Repeat

JANE:  Describe your most exciting day?

GK". When I see a completed garment that came out looking beautiful and magical, or even there is no completed garment if I had productive day with creation process I get energy.

JANE:  Describe what your worst day would look like?

GK:  No creation, not productive day, resting doing nothing. Being ill

JANE:  What are your thoughts on the future of fashion for independent designers?

GK:  Positive.  Although I find this question difficult when I feel myself is just starting my initial path.

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JANE:  If you could encapsulate the essence of your label in a time capsule for future generations, what elements or pieces would you include, and what message would you want to convey about your brand?
GK:  Handcrafted , pleated , silk only and only corset or dress made of deadstock fabric. Being not too modern in modern day.  Artisanal and poetic designer piece that makes your day and dream sweeter.

JANE:  What are you most proud of achieving since starting your brand?

GK:  Proud of few things like having my studio in Seoul, participating in London fashion week etc but Doja cat wearing my shoes was very memorable among them.

SUSTAINABLE DESIGN SOLTIONS FOR ECO-FRIENDLY HOMES

LUXURY REDEFINED

Sustainable design promotes a healthy relationship between architecture and the surrounding biosphere with architects and designers increasingly turning to environmentally friendly materials that not only lower carbon footprint but also add a distinct aesthetic appeal.

Bamboo, for example, is gaining popularity for use in flooring, furniture and even structural elements due to its rapid growth, resilience, and adaptability.

Reimagining Spaces Using Recycled Materials

Luxury, no longer associated with extravagance, becomes a deliberate celebration of resourcefulness with recycled materials the focal point providing each space with a unique and characterful feel. 

Salvaged wood, reclaimed metal, and recycled glass are finding their way into modern homes, bringing new life to materials that might otherwise end up in landfills.   This not only reduces trash, but conveys a responsible consumer message.

Unlike the usual linear method of "take, make, dispose," a cradle-to-cradle design concept is gaining popularity as a guideline for environmentally friendly house design focusing on a circular economy where materials are constantly reused and repurposed. 

This technique reduces waste, promotes ethical production.  From flooring materials to roofing systems, cradle-to-cradle design is changing how we see and construct modern living spaces.

New luxury promotes health and comfort with sustainable materials achieving a healthier environment and minimizing indoor air polluton.  

Low-VOC (volatile organic compound) paints, natural insulating materials, and non-toxic finishes are becoming commonplace in environmentally aware design. 

The econimic impact of sustainable design is positive.  Contrary to popular belief, adopting environmentally friendly products and methods can have a long-term economic benefit. Energy-efficient dwellings result in decreased utility bills, representing a concrete return on investment and  an increased demand for sustainable houses is pushing innovation and competition, making eco-friendly design more accessible and cost-effective for a wider audience.

The transition to sustainable design reflects a larger societal shift in how we view and value our homes and new luxury is about making conscientious decisions that reflect a responsibility to the environment..  

This reflects our growing values and priorities. As we embrace sustainable materials, green technologies, and a holistic design approach, we are redefining opulence and the eco-conscious home is more than just a trend; it reflects a communal commitment.